and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
finalist at the international WELTFORMAT competition in lucerne. issue: ‘desire!’
NEW EP ‘hello wild cliché‘ as ‘bataclan‘!! coming with great cover artwork and cool poster! out on cd and digital!
poster created during the WELTKLASSE workshop with anette lenz
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
finalist at the international WELTFORMAT competition in lucerne. issue: ‘detours!’
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
cryptic looking monotype font; round numerics to contrast the edgy letters and signs; every glyph is constructed in a strict grid, therefore wildly combinable for sharp looking patterns and new shapes!
part of TYPODARIUM 2020 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
part of TYPODARIUM 2021 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
part of TYPODARIUM 2021 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
2019 end of the world: the old gods are back! classic is dead >> clear the stage: BAUHAUS is surprising another time. 100!! Welcome to the circle: the ceremony; of fetish and dissonance! ritual, fight, rhythm!
ANNA LYSENKO; kaliningrad, russia [piano]
MAI SHINADA; niigata, japan [piano]
NORA FRANKE; weimar, germany [dance]
OTTO HERNANDEZ; havanna, cuba [performance]
LUIS RUTZ; berlin, germany [design]
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
part of a promotion series for COBOLD art collective
ANNA LYSENKO; kaliningrad, russia [piano]
MAI SHINADA; niigata, japan [piano]
NORA FRANKE; weimar, germany [dance]
OTTO HERNANDEZ; havanna, cuba [performance]
LUIS RUTZ; berlin, germany [design]
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
part of TYPODARIUM 2021 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
part of TYPODARIUM 2021 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
peter kirn (berlin) / halv drøm (berlin) / scruffy kittn (nyc) / frank willens (schaubühne berlin)
cryptic looking monotype font; round numerics to contrast the edgy letters and signs; every glyph is constructed in a strict grid, therefore wildly combinable for sharp looking patterns and new shapes!
part of TYPODARIUM 2020 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
100for10 is an art work-element initiated by melville brand design munich. print is dead – is never dead. to publish a book is a bad idea – is a very good idea. 100for10 is a series of art books, of which each issue contains 100 black and white pages and costs only € 10. 100for10 is distributed world wide!
BUY HEREBARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
poster for anna rahel hirsch as part of the 2016 fashion collection image
NEW EP ‘hello wild cliché‘ as ‘bataclan‘!! coming with great cover artwork and cool poster! out on cd and digital!
poster created during a workshop with niklaus troxler
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
fan city karlsruhe!
NEW EP ‘hello wild cliché‘ as ‘bataclan‘!! coming with great cover artwork and cool poster! out on cd and digital!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
WET VIENNA is running berlin. girl power @ acud!
dj kündigung (wet vienna) / jesse g (deep trouble) / ace of diamonds (no shade) / justin time (wet vienna)
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
cryptic looking monotype font; round numerics to contrast the edgy letters and signs; every glyph is constructed in a strict grid, therefore wildly combinable for sharp looking patterns and new shapes!
part of TYPODARIUM 2020 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
‘GIRLS LOOKING FOR GIRLS’: monthly announcement poster series for the feministic event series ‘WET’ in vienna. every few weeks i get a new women’s torso sculpture, which i then translate into a poster
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
part of TYPODARIUM 2021 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
part of TYPODARIUM 2021 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
2019 end of the world: the old gods are back! classic is dead >> clear the stage: BAUHAUS is surprising another time. 100!! Welcome to the circle: the ceremony; of fetish and dissonance! ritual, fight, rhythm!
ANNA LYSENKO; kaliningrad, russia [piano]
MAI SHINADA; niigata, japan [piano]
NORA FRANKE; weimar, germany [dance]
OTTO HERNANDEZ; havanna, cuba [performance]
LUIS RUTZ; berlin, germany [design]
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
DONNA: is loud, furious, laughing! she only eats with bare hands! men fall for her because she is the raw, the young, the origin! meet her on the frozen lake
/// line follows plane / brush + digital
BELLE: infamous cat eyes, sleek dress. the black widow already stabbed twice. the warm night air tastes sweet. and so does her knife.
/// plane follows line / fotogram + digital
the morning after: it is all down to appetite! the deadly sisters came out to play … and to head for your town!
(luis rutz . type trends . götz gramlich . bauhaus universität weimar . ws18/19)
2019 end of the world: the old gods are back! classic is dead >> clear the stage: BAUHAUS is surprising another time. 100!! Welcome to the circle: the ceremony; of fetish and dissonance! ritual, fight, rhythm!
ANNA LYSENKO; kaliningrad, russia [piano]
MAI SHINADA; niigata, japan [piano]
NORA FRANKE; weimar, germany [dance]
OTTO HERNANDEZ; havanna, cuba [performance]
LUIS RUTZ; berlin, germany [design]
part of a promotion series for COBOLD art collective
ANNA LYSENKO; kaliningrad, russia [piano]
MAI SHINADA; niigata, japan [piano]
NORA FRANKE; weimar, germany [dance]
OTTO HERNANDEZ; havanna, cuba [performance]
LUIS RUTZ; berlin, germany [design]
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
blade shaped display font; combining sharp edges and tight bends. oblique style for a bold look!
Leon Emanuel Blanck’s AW2018 collection is discourse in the tension between black and white, acceptance and rejection, radical extremes. The collection leaves little room for grey areas, reminiscent of the contemporary political landscape that resonates throughout the world.Crafted through hard contrasts, uniform swaths of colour and complete desaturation, the seams and sutures of this collection play a most pivotal role. A role that is only furthered though binding the meticulously sourced materials that form each of his pieces: precious alpaca wools, cashmere blends, mink and pony hair, robust horse leathers, resin treated corduroys and waxed heavy cottons.The conflicting discourse reaches to the core of the collection; it’s tailored pieces and elegant shapes being in perfect balance to open linings, rough edges and aggressive seam work. Further fortifying the DNA of Leon Emanual Blanck’s ANFRACTUOUS DISTORTION
peter kirn (berlin) / halv drøm (berlin) / scruffy kittn (nyc) / frank willens (schaubühne berlin)
‘GIRLS LOOKING FOR GIRLS’: monthly announcement poster series for the feministic event series ‘WET’ in vienna. every few weeks i get a new women’s torso sculpture, which i then translate into a poster
cryptic looking monotype font; round numerics to contrast the edgy letters and signs; every glyph is constructed in a strict grid, therefore wildly combinable for sharp looking patterns and new shapes!
part of TYPODARIUM 2020 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
first ever face print on curved coat. revisit of a classic fashion piece by leon emanuel blanck. shown at paris fashionweek aw18/19
workshop by luis rutz facing typography, poster design and working techniques at the bacc bangkok art and culture centre, thailand
special thanks: narachot “brown” meesaiyaat / patrix meesaiyaat / thitiwan rasmikomain / varank subanarat
finalist at the international WELTFORMAT competition in lucerne. issue: ‘detours!’
100for10 is an art work-element initiated by melville brand design munich. print is dead – is never dead. to publish a book is a bad idea – is a very good idea. 100for10 is a series of art books, of which each issue contains 100 black and white pages and costs only € 10. 100for10 is distributed world wide!
WET VIENNA is running berlin. girl power @ acud!
dj kündigung (wet vienna) / jesse g (deep trouble) / ace of diamonds (no shade) / justin time (wet vienna)
BARCELONA is fast, against, sexy! she is both nonconformist and darling: she comes with around 700 glyphs in five weights, basic opentype features, and is prepared for all latin (+greek) languages.
she is a lover to a firm kind of impulsive energy – arose out of a twelve week working mania. she is a tilted grotesque; geometrically settled, but with a humanistic draw, which increases in the heavier weights. her nature is very much about the letting go and catching of curves and edges; about inconstancy and how it can »awake« things.
barcelona prefers the billboad to the novel, loud places to the seen ones. she is a protest! she is sometimes a diva when leaving the house, never without that little chic: here she is, to be used with courage!
– it smells like alcohol and hot shimmering air. rosalía sings »catalunya« and the new revolution starts heralding here from the balconies: with the deep buzz and the wild drumming on pots and pans!
poster created during the WELTKLASSE workshop with anette lenz
poster for anna rahel hirsch as part of the 2016 fashion collection image
NEW EP ‘hello wild cliché‘ as ‘bataclan‘!! coming with great cover artwork and cool poster! out on cd and digital!
finalist at the international WELTFORMAT competition in lucerne. issue: ‘desire!’
poster created during a workshop with niklaus troxler
fan city karlsruhe!
the rough character and the clear heart! the faculty embodying its creation and inevitably its environment: industry- and university-city in inter- and counter-play with its culture.
six meters high steel walls overtopping both stories of the building, stretching the room within its height, channel the audience through gates, along its depth. all exhibits lie on concrete socles or lean on the steel construction, demonstrate the idea of fast pace and authenticity. the used materials are free of any cosmetic intervention, based on their purpose and – just because of that – suitable for a worthy presentation of the student works.
all theatrics comes from basic optical rules which let the room appear bigger and lighter than before, despite of the added five tons of weight. it persists through the haptics of its substance, tells of rhythm and rigor. steel and concrete, the rough as carrier for the subtle.
opening speech by max dudler
supervision: veruschka götz
sponsoring: BAG Mannheim + HeidelbergCement
and first there was eevee: harsh but lively! the wilful beauty! use her for running text as well as for headlines. eevee comes with more than 500 characters, basic opentype features and is prepared for all european languages. so hello!
part of TYPODARIUM 2018 by lars harmsen & raban ruddigkeit, verlag hermann schmidt mainz
LEGAL NOTICE
LUIS RUTZ
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